¿Â¶óÀÎ
¡¤¹®ÇÐ


Àηù¿¡°Ô ±¸¿øÀ» °¡Á®´ÙÁØ ÇÁ·Î¸ÞÅ׿콺ÀÇ ºñ±Ø
±×¸®½º ºñ±Ø, ¾ÆÀ̽ºÅ³·Î½º
Prometheus desmotes
ºÐ¾ß : ¹®ÇÐ,
±³°ú : ±¹¾î, ¿ª»ç, ¹®ÇÐ,
ÀÚ·á¼ö : 48 °³
±¸µ¶°¡ [1³â]
 50,000 ¿ø¡æ 40,000 ¿ø (20%¡é)

¡Ü Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺 - ÀÛÇ°¼Ò°³

 

¡°Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺"´Â °í´ë ±×¸®½º ±ØÀÛ°¡ ¾ÆÀ̽ºÅ³·Î½º°¡ ¾´ ºñ±ØÀÌ´Ù. ¶ÇÇÑ "ÇÁ·Î¸ÞÅ׿콺 ¹Ù¿îµå" ¶Ç´Â "»ç½½ ¼ÓÀÇ ÇÁ·Î¸ÞÅ׿콺"·Îµµ ¾Ë·ÁÁ® ÀÖ´Ù. ±â¿øÀü 430³â°æ¿¡ ¾²¿©Áø °ÍÀ¸·Î ÃßÁ¤µÇ¸ç, ¾ÆÀ̽ºÅ³·Î½ºÀÇ ¸î ¾È µÇ´Â ÀÛÇ° Áß ÇϳªÀÌ´Ù.

ÀÌ ¿¬±ØÀº ½Åµé·ÎºÎÅÍ ºÒÀ» ÈÉÃÄ Àηù¿¡°Ô ¹ÙħÀ¸·Î½á ½Åµé¿¡°Ô ¹ÝÇ×Çϴ ŸÀÌźÀÎ ÇÁ·Î¸ÞÅ׿콺ÀÇ À̾߱⸦ ´Ù·é´Ù. ±× ¹ú·Î Á¦¿ì½º´Â ÇÁ·Î¸ÞÅ׿콺¿¡°Ô ¹ÙÀ§¿¡ ¼è»ç½½·Î ¹­ÀÌ°í ¿µ¿øÈ÷ °íÅëÀ» ¹Þµµ·Ï ¸í·ÉÇÑ´Ù. ÇÁ·Î¸ÞÅ׿콺°¡ ±¸¼ÓµÇ¾î ÀÖ´Â µ¿¾È, ±×´Â ¿À¼¼¾Æ´Ï¾Æ, ÀÌ¿À, Ç츣¸Þ½º¸¦ Æ÷ÇÔÇÑ ¿©·¯ µîÀåÀι°µéÀÌ ±×¸¦ ȸ°³Çϵµ·Ï ¼³µæÇÏ°í Á¦¿ì½º¿¡°Ô ¿ë¼­¸¦ ±¸ÇÏ·Á ÇÑ´Ù.

ÀÌ ¿¬±ØÀº °í´ë ±×¸®½º ºñ±ØÀÇ ÀüÇüÀûÀΠƯ¡À» °¡Áö°í ÀÖ´Ù. ÀÚ½ÅÀÇ ÇൿÀ̳ª ½ÅµéÀÇ ÇൿÀ¸·Î ÀÎÇØ ºñ±ØÀûÀÎ ¿î¸íÀ» °Þ´Â ÁÖÀΰøÀÌ µîÀåÇÑ´Ù. ¿¬±ØÀº ¶ÇÇÑ ÇÕâÀ» Æ÷ÇÔÇϴµ¥, ÀÌ ÇÕâÀº ¿¬±ØÀÇ Çൿ¿¡ ´ëÇÑ Çؼ³ÀÚ ¿ªÇÒÀ» ÇÏ°í °ü°´µé¿¡°Ô µµ´öÀûÀÎ ÁöħÀ» Á¦°øÇÑ´Ù.

¡°Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺¡±´Â Àΰ£°ú ½ÅµéÀÇ °ü°è¿¡ ´ëÇÑ °­·ÂÇÑ Çؼ³·Î Æò°¡¹Þ°í ÀÖ´Ù. Àηù¸¦ ´ëÇ¥ÇÏ´Â ÇÁ·Î¸ÞÅ׿콺´Â µ¿Á¤½É°ú ŸÀÎÀ» µ½°íÀÚ ÇÏ´Â ¿å¸Á ¶§¹®¿¡ ¹úÀ» ¹Þ´Â´Ù. ¿¬±ØÀº ½ÅµéÀÇ ÀÇÁö¿Í Àΰ£µéÀÇ ÀÇÁö »çÀÌÀÇ ÅõÀïÀ» ±×¸®°í ÀÖÀ¸¸ç, Á¤ÀÇÀÇ º»Áú, °íÅëÀÇ ¿ªÇÒ, ÀÚÀ¯ÀÇÁöÀÇ Á߿伺¿¡ ´ëÇØ Àǹ®À» Á¦±âÇÑ´Ù.

"Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺"ÀÇ Àǹ̴ º¹ÀâÇÏ°í ´Ù¸éÀûÀÌ´Ù. ÀÌ ¿¬±ØÀº ¿ª»çÀû ¸Æ¶ô°ú µ¶ÀÚ ¶Ç´Â ½ÃûÀÚ °³Àο¡ µû¶ó ´Ù¾çÇÑ ¹æ½ÄÀ¸·Î Çؼ®µÇ¾ú´Ù. ¾î¶² »ç¶÷µéÀº ±×°ÍÀ» Àΰ£ÀÇ µ¶Ã¢¼º°ú µµÀüÀÇ ±â³äÀ¸·Î º» ¹Ý¸é, ´Ù¸¥ »ç¶÷µéÀº ±×°ÍÀ» ±ÇÀ§¿¡ µµÀüÇÏ´Â À§Çè¿¡ ´ëÇÑ °æ°íÀûÀÎ À̾߱â·Î º¸¾Ò´Ù. ¹Ý¶õ°ú ó¹ú, ÀÚÀ¯¿Í Á¤ÀǸ¦ À§ÇÑ ÅõÀïÀ̶ó´Â ¿¬±ØÀÇ ÁÖÁ¦°¡ ¿À´Ã³¯¿¡µµ °ü°´µé¿¡°Ô °è¼Ó ¿ï·Á ÆÛÁö¸é¼­ ¼¼°è ¹®ÇÐÀÇ ¿µ¿øÇÑ °íÀüÀÌ µÇ°í ÀÖ´Ù.

 

 

¡Ü À¯¸íÇÑ Àο뱸

 

"½ÉÁö¾î ¿ì¸®ÀÇ Àá ¼Ó¿¡¼­µµ, ¿ì¸® ÀÚ½ÅÀÇ Àý¸Á ¼Ó¿¡¼­, ¿ì¸®ÀÇ ÀÇÁö¿¡ ¹ÝÇÏ¿©, ½ÅÀÇ ¹«¼­¿î ÀºÇý¸¦ ÅëÇØ ÁöÇý°¡ ³ª¿Ã ¶§±îÁö, ÀØÀ» ¼ö ¾ø´Â °íÅëÀº ½ÉÀå¿¡ ÇÑ ¹æ¿ï¾¿ ¶³¾îÁø´Ù." 

 

 

¡Ü ¾ÆÀ̽ºÅ³·Î½º ¼Ò°³

 

¾ÆÀ̽ºÅ³·Î½º (525³â°æ~456³â°æ)´Â ±â¿øÀü 5¼¼±â µ¿¾È ¾ÆÅ׳׿¡ »ì¾Ò´ø ±×¸®½ºÀÇ ±ØÀÛ°¡ÀÌ´Ù. ±×´Â ±×¸®½º ºñ±ØÀÇ ¾Æ¹öÁö·Î ¿©°ÜÁö¸ç, ±×¸®½º ¿¬±Ø°è¿¡¿¡ Çõ¸íÀ» ÀÏÀ¸Å² Àι°ÀÌ´Ù. 

¾ÆÀ̽ºÅ³·Î½º´Â 80Æí ÀÌ»óÀÇ Èñ°îÀ» ½èÁö¸¸, "Æ丣½Ã¾ÆÀÎ", ¡°Å׺£¸¦ °ø°ÝÇÑ 7À屺¡±,¡±¼­Çø®¾ð½º¡±,¡±¾Æ°¡¸â³í" ¡°Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺¡±µî 7Æí¸¸ÀÌ Áö±Ý±îÁö ÀüÇØÁ® ³»·Á¿Â´Ù.

"Æ丣½Ã¾ÆÀÎ"Àº ½ÅÈ­Àû »ç°ÇÀÌ ¾Æ´Ñ ¿ª»çÀû »ç°ÇÀ» ´Ù·é À¯ÀÏÇÑ ±×¸®½º ºñ±ØÀÌ´Ù. ±×°ÍÀº Æ丣½Ã¾Æ ¿Õ Å©¼¼¸£Å©¼¼½º¿Í ±×ÀÇ ±º´ë°¡ »ì¶ó¹Ì½º ÀüÅõ¿¡¼­ ÆйèÇÑ À̾߱⸦ ´ã°í ÀÖ´Ù.

¡°Å׺£¸¦ °ø°ÝÇÑ 7À屺¡± ¿ÀÀ̵ðǪ½ºÀÇ µÎ ¾Æµé ¿¡Å׿ÀŬ·¹½º¿Í Æú¸®´ÏÄɽº°¡ Å׺£ÀÇ ¿ÕÁ¸¦ ³õ°í ¹úÀÌ´Â °¥µîÀ» ±×¸° ¿¬±ØÀÌ´Ù.

"¼­Çø®¾ð½º"´Â ÀÌÁýÆ® ±¸È¥ÀÚµéÀÇ ¿øÄ¡ ¾Ê´Â °ü½ÉÀ¸·ÎºÎÅÍ ¾Æ¸£°í½º·Î Çdz­Ã³¸¦ ã´Â ÇÑ ¹«¸®ÀÇ ¿©¼ºµé¿¡ °üÇÑ ¿¬±ØÀÌ´Ù.

¾ÆÀ̽ºÅ³·Î½ºÀÇ Èñ°îÀº ¿õÀåÇÔ, ½ºÆåÅÍŬ°ú À½¾ÇÀÇ »ç¿ë, Á¤ÀÇ, º¹¼ö, Àΰ£°ú ½ÅÀÇ °ü°è¿Í °°Àº ½Ã´ë¸¦ ÃÊ¿ùÇÑ ÁÖÁ¦ÀÇ Å½±¸°¡ Ư¡ÀÌ´Ù. ±×ÀÇ ÀÛÇ°Àº ¼ÒÆ÷Ŭ·¹½º¿Í À¯¸®Çǵ¥½º¸¦ Æ÷ÇÔÇÑ ÈÄ´ëÀÇ ±ØÀÛ°¡µé¿¡°Ô ±íÀº ¿µÇâÀ» ³¢ÃÆÀ¸¸ç, ±×ÀÇ À¯»êÀº Çö´ë ¿¬±Ø°ú ¹®Çп¡¼­ °è¼Ó À̾îÁö°í ÀÖ´Ù..

 

 

¡Ü Introduction to Prometheus desmotes

 

"Prometheus Desmotes" is a tragedy play written by the ancient Greek playwright Aeschylus. The play is also known as "Prometheus Bound" or "Prometheus in Chains". It is believed to have been written around 430 BC and is one of the few surviving works of Aeschylus.

The play tells the story of Prometheus, a Titan who defies the gods by stealing fire from them and giving it to humanity. As punishment, Zeus orders Prometheus to be chained to a rock and left to suffer for eternity. While Prometheus is bound, he is visited by several characters, including the Oceanids, Io, and Hermes, who try to convince him to repent and ask for forgiveness from Zeus.

The play has several characteristics that are typical of ancient Greek tragedy. It features a protagonist who suffers a tragic fate as a result of their own actions or the actions of the gods. The play also includes a chorus, which serves as a commentator on the action of the play and offers moral guidance to the audience.

"Prometheus Desmotes" has been evaluated as a powerful commentary on the relationship between mortals and the gods. Prometheus, who represents humanity, is punished for his compassion and his desire to help others. The play portrays the struggle between the will of the gods and the will of mortals, and raises questions about the nature of justice, the role of suffering, and the importance of free will.

The meaning of "Prometheus Desmotes" is complex and multifaceted. The play has been interpreted in a variety of ways, depending on the historical context and the individual reader or viewer. Some have seen it as a celebration of human ingenuity and defiance, while others have seen it as a cautionary tale about the dangers of challenging authority. The play's themes of rebellion, punishment, and the struggle for freedom and justice continue to resonate with audiences today, making it a timeless classic of world literature.

 

 

¡Ü Aeschylos famous quote

 

"Even in our sleep, pain which cannot forget falls drop by drop upon the heart until, in our own despair, against our will, comes wisdom through the awful grace of God."

 

 

¡Ü Introduction to Aeschylos

 

Aeschylus (c. 525/524 – c. 456/455 BCE) was a Greek playwright who lived in Athens during the 5th century BCE. He is considered to be the father of Greek tragedy and is credited with introducing a second actor to the stage, which revolutionized Greek drama.

Aeschylus wrote over 80 plays, but only seven have survived intact: "The Persians," "Seven Against Thebes," "Suppliants," "Agamemnon," "Choephoroe" (also known as "The Libation Bearers"), "Eumenides," and "Prometheus Bound."

"The Persians" is the only surviving Greek tragedy that deals with a historical event rather than a mythological one. It tells the story of the Persian King Xerxes and his army's defeat at the Battle of Salamis.

"Seven Against Thebes" is a play about the conflict between Eteocles and Polynices, the two sons of Oedipus, over the throne of Thebes.

"Suppliants" is a play about a group of women who seek refuge in Argos from the unwanted attentions of their Egyptian suitors.

Aeschylus's plays are characterized by their grandeur, their use of spectacle and music, and their exploration of timeless themes such as justice, revenge, and the relationship between humans and the gods. His work had a profound influence on later playwrights, including Sophocles and Euripides, and his legacy continues to be felt in modern theater and literature.

±×¸®½º ºñ±Ø, ¾ÆÀ̽ºÅ³·Î½º
¾ÆÀ̽ºÅ³·Î½ºÀÇ ºñ±Ø ÀÛÇ° Áß ´ëÇ¥ÀÛÀÎ <Æ÷¹ÚµÈ ÇÁ·Î¸ÞÅ׿콺> ¼ÓÀ¸·Î ¶°³ªº¸ÀÚ



°¶·¯¸® ±¸µ¶»óÇ° - °³¿ä




°¶·¯¸® Á¦¸ñ ±×¸®½º ºñ±Ø, ¾ÆÀ̽ºÅ³·Î½º    Prometheus desmotes    (ºÎÁ¦:Àηù¿¡°Ô ±¸¿øÀ» °¡Á®´ÙÁØ ÇÁ·Î¸ÞÅ׿콺ÀÇ ºñ±Ø)
1³â ±¸µ¶°¡  50,000 ¿ø  ¡æ   40,000 ¿ø (20%¡é)
ÃÑ ÀÛÇ° ¼ö 48 °³
±¸µ¶ ±â°£ 1³â
À¥ È£½ºÆà (1³â ¹«·á)
¹ÝÀÀÇüÀ¥ (PC¡¤¸ð¹ÙÀÏ¡¤ÅÂºí¸´)
ÀÛÇ° ¼³¸í
¾ð¾î ¹ø¿ª (MS-¿§Áö ºê¶ó¿ìÀú¿¡¼­ ¿µ¹® ¹ø¿ª±â ½ÇÇà, ³×À̹ö¾Û-ÆÄÆÄ°í ¹ø¿ª±â ½ÇÇà)
樨毢
ÀÓº£µðµå
ÀÛÇ° ÁٰŸ® (ÀÛÇ°¼ö : 11 °³)
ÀÛÇ° Çؼ® (ÀÛÇ°¼ö : 8 °³)
ÀÛ°¡ ¼Ò°³ (ÀÛÇ°¼ö : 8 °³)
ÀÛÇ° ¸Àº¸±â (ÀÛÇ°¼ö : 10 °³)
»ý°¢Çغ¸±â (ÀÛÇ°¼ö : 5 °³)
ÀÛ°¡ÀÇ ´Ù¸¥ ÀÛÇ° (ÀÛÇ°¼ö : 6 °³)




°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
»ùÇÃ
¸¶µ·³ª µ¨¿À¸£Åä ±³È¸ ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
ÀÚÅ©¸¶¸£ ¾Óµå·¹ ¹Ú¹°°ü ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
¿À´Ï»êƼ ¼º´ç ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
ÇÁ¶û½º ±¹¸³µµ¼­°ü
ÇÁ¶û½º ±¹¸³µµ¼­°ü ¸íÈ­ ·£¼± Àü½Ãȸ
¿À¸£¼¼ ¹Ì¼ú°ü
¿À¸£¼¼ ¹Ì¼ú°ü ¸íÈ­ ·£¼± Àü½Ãȸ
´ë¿µ ¹Ú¹°°ü
´ë¿µ ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
±¸µ¶ °áÁ¦
¾È³»

1. ³ªÀ̽ºÄÃó¿¡¼­´Â 1³â °¶·¯¸® ±¸µ¶ÀÚ¿¡°Ô ÃÖ´ëÀÇ °¡°Ý ÇýÅÃÀ» µå¸®±â À§ÇØ Á¤°¡º¸´Ù ÇÒÀÎµÈ °¡°ÝÀ» Á¦°øÇÏ°í ÀÖ½À´Ï´Ù.

2. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇÏ¿© ÇàÁ¤¼­·ù Áö¿ø ¹× ¼±ÁÖ¹® ÈÄ°áÁ¦¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

3. °áÁ¦¹æ¹ýÀ¸·Î [¹«ÅëÀåÀÔ±Ý]À» ÀÌ¿ëÇϽñ⠹ٶø´Ï´Ù.

Áõ¸í¼­·ù
¹ß±Þ ¾È³»

1. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇØ ´Ù¾çÇÑ ÇàÁ¤¼­·ù¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

2. Áõºù¼­·ù°¡ ÇÊ¿äÇÑ °æ¿ì ±¸µ¶½Åû½Ã ÇÊ¿äÇÑ ¼­·ù¸¦ ¼±ÅÃÇϽñ⠹ٶø´Ï´Ù.

- »ç¾÷ÀÚ : ¼¼±Ý°è»ê¼­ ¶Ç´Â Çö±Ý¿µ¼öÁõ(ÁöÃâÁõºù¿ë) [µÎ Á¾ ¸ðµÎ µ¿ÀÏÇÏ°Ô ¸ÅÀÔ°øÁ¦¸¦ ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.]
- °³ÀÎ: Çö±Ý¿µ¼öÁõ(¼Òµæ°øÁ¦¿ë)

3. »ç¾÷ÀÚµî·ÏÁõ, ÅëÀå»çº» µî ±âŸ ¼­·ù°¡ ÇÊ¿äÇÑ »ç¾÷ÀÚ´Â ·Î±×ÀÎ ÀÌÈÄ Àå¹Ù±¸´Ï ¡æ ÁÖ¹®Á¶È¸ ÆäÀÌÁöÀÇ »ó´Ü [ÇàÁ¤¼­·ù] ÅÇÀ» Ŭ¸¯ÇÏ¸é ¿øÇϽô ÇàÁ¤¼­·ù¸¦ ³»·Á¹Þ¾Æ »ç¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

±³È¯¡¤ÇØÁö
ȯºÒ ¾È³»

1. ±³È¯ : ÁÖ¹®ÇϽŠ°¶·¯¸®ÀÇ ÇÏÀڽà ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù.

2. ÁßµµÇØÁö ¹× Ãë¼Ò

- ±¸Ãà Àü : Àü¾× ȯºÒ
- ÀÔ±Ý ¿Ï·á ¹× °¶·¯¸® ¼¼Æà ÈÄ : ³³ºÎ±Ý¾× - ½ÇÁ¦ ¹ß»ý ºñ¿ë(ÄÜÅÙÃ÷ »ç¿ë·á + ¼¼Æúñ + È£½ºÆúñ) - À§¾à±Ý(¹ýÁ¤ 10%)

3. ȯºÒ

- ¿äûÇϽŠ³¯·ÎºÎÅÍ 4~7ÀÏ(¿µ¾÷ÀÏ ±âÁØ) Á¤µµ ¼Ò¿äµË´Ï´Ù.
- ȯºÒ ¿äû °èÁ·ΠȯºÒ 󸮰¡ µË´Ï´Ù.
- Áõºù(¼¼±Ý°è»ê¼­¡¤Çö±Ý¿µ¼öÁõ)ÀÌ ¹ß±ÞµÇ¾úÀ¸¸é ȯºÒ ±Ý¾×¸¸Å­ Á¦¿ÜÇÏ°í ¼öÁ¤ ¹ßÇàµË´Ï´Ù.

±¸µ¶ ¹®ÀÇ °í°´¼¾ÅÍ :     [ÀüÈ­] 02) 6412-0132~3     [email] art@niceculture.com