¿Â¶óÀÎ
¡¤°úÇС¤±â¼ú


¼­±¸ °úÇÐÀÇ Áß½ÉÀÌ µÈ »ç°ÇµéÀ» »ìÆ캸´Ù
°´°ü¼ºÀÇ Ä®³¯
edge of objectivity
ºÐ¾ß : °úÇС¤±â¼ú,
±³°ú : °úÇÐ,
ÀÚ·á¼ö : 34 °³
±¸µ¶°¡ [1³â]
 50,000 ¿ø¡æ 40,000 ¿ø (20%¡é)

¡Ü °´°ü¼ºÀÇ Ä®³¯ - ÀÛÇ° ¼Ò°³

 

Âû½º ÄݽºÅÏ ±æ¸®½ºÇÇÀÇ "°´°ü¼ºÀÇ Ä®³¯"Àº 1960³â¿¡ ÃâÆÇµÈ °úÇÐ »ç»óÀÇ ¿ª»ç¿¡ ´ëÇÑ Ã¥ÀÌ´Ù. ÀÌ ¿¡¼¼ÀÌ¿¡¼­ ±æ¸®½ºÇÇ´Â Á¾Á¾ °úÇÐÀû Áö½ÄÀÇ º»ÁúÀû Ư¼ºÀ¸·Î ¿©°ÜÁö´Â °´°ü¼ºÀº °íÁ¤ÀûÀ̰ųª ¾ÈÁ¤ÀûÀÎ °³³äÀÌ ¾Æ´Ï¶ó ¿ª»çÀû, ¹®È­ÀûÀ¸·Î ºÎ¼öÀûÀÎ °³³äÀ̶ó°í ÁÖÀåÇÑ´Ù. ±×´Â °´°ü¼ºÀÇ °³³äÀÌ ½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÁøÈ­ÇØ ¿ÔÀ¸¸ç, ±× Á¤ÀÇ¿Í Àû¿ëÀº »çȸÀû, ¹®È­Àû, Á¦µµÀû ¸Æ¶ôÀ» Æ÷ÇÔÇÑ ´Ù¾çÇÑ ¿äÀο¡ ÀÇÇØ Çü¼ºµÇ¾ú´Ù°í ÁÖÀåÇÑ´Ù.

±æ¸®½ºÇÇ¿¡ µû¸£¸é °´°ü¼ºÀº 17¼¼±â °úÇл翡¼­ °úÇÐÇõ¸íÀÇ ¸Æ¶ô¿¡¼­ Áß¿äÇÑ °³³äÀ¸·Î µîÀåÇß´Ù. ±×´Â ÀÌ ½Ã±â¿¡ ½ÇÇè °úÇÐÀÇ ¹ßÀüÀÌ °æÇèÀû Áõ°Å¿Í ü°èÀûÀÎ °üÂû¿¡ ´ëÇÑ °­Á¶¿Í ÇÔ²² Áö½ÄÀÇ »ý»ê°ú °ËÁõ ¹æ½Ä¿¡ º¯È­¸¦ °¡Á®¿Ô´Ù°í ÁÖÀåÇÑ´Ù. °æÇèÀû µ¥ÀÌÅÍ¿¡ ´ëÇÑ °­Á¶´Â »õ·Î¿î ÃøÁ¤, ½ÇÇè, °è»ê ¹æ¹ýÀÇ °³¹ß·Î À̾îÁ³°í, ÀÌ´Â »õ·Î¿î ÇüÅÂÀÇ Áö½Ä°ú Àü¹® Áö½ÄÀ» ³º¾Ò´Ù.

±×·¯³ª ±æ¸®½ºÇÇ´Â °´°ü¼ºÀÇ °³³ä¿¡ ÇÑ°è¿Í ¸ð¼øÀÌ ¾ø¾ú´ø °ÍÀº ¾Æ´Ï¶ó°í ÁöÀûÇÑ´Ù. ±×´Â °´°ü¼ºÀÇ ÀÌ»óÀÌ Á¾Á¾ ƯÁ¤ÇÑ ÇüÅÂÀÇ Áö½ÄÀ» Á¤´çÈ­ÇÏ°í ´Ù¸¥ Áö½ÄÀ» ¹èÁ¦ÇÏ´Â ¹æ¹ýÀ¸·Î ÀοëµÇ¾ú°í, °úÇÐ ¿¬±¸°¡ ÀϾ´Â º¹ÀâÇÑ »çȸÀû, ¹®È­Àû ¸Æ¶ôÀ» ¹«½ÃÇÏ´Â Á¼°í ȯ¿øÁÖÀÇÀûÀÎ °úÇаü°ú Á¾Á¾ ¿¬°üµÇ¾ú´Ù°í Á¦¾ÈÇÑ´Ù.

±æ¸®½ºÇÇÀÇ °üÁ¡¿¡¼­ °´°ü¼ºÀÇ °³³äÀº Áß¿äÇÏ°í °¡Ä¡ ÀÖ´Â °³³äÀÌÁö¸¸, ¿ª»çÀû, ¹®È­Àû ¸Æ¶ô¿¡¼­ ÀÌÇØÇÏ°í ºñÆÇÀûÀ¸·Î °ËÅäÇÒ ÇÊ¿ä°¡ ÀÖ´Ù. ±×´Â °´°ü¼º¿¡ ´ëÇÑ ¿ì¸®ÀÇ »ý°¢ÀÌ ¿ì¸®ÀÇ »çȸÀû, ¹®È­Àû °üÁ¡¿¡ ÀÇÇØ Çü¼ºµÇ´Â ¹æ½ÄÀ» ÀνÄÇÒ ÇÊ¿ä°¡ ÀÖÀ¸¸ç, °´°ü¼º¿¡ ´ëÇÑ ¿ì¸®ÀÇ ÀÌÇØ°¡ ½Ã°£ÀÌ Áö³²¿¡ µû¶ó ÁøÈ­ÇÏ°í º¯È­ÇÒ ¼ö ÀÖ´Â °¡´É¼ºÀ» ¿­¾îµÑ ÇÊ¿ä°¡ ÀÖ´Ù°í ÁÖÀåÇÑ´Ù.

 

 

¡Ü Famous quote 

 

"Áö°¢ÀÇ ºÒ¿ÏÀü¼ºÀ¸·Î ÀÎÇØ °´°ü¼ºÀÇ °¡ÀåÀÚ¸®°¡ Èå·ÁÁø´Ù."

 

ÀÌ Àο빮Àº Àΰ£ÀÇ Áö°¢ÀÇ ÇÑ°è¿Í °´°üÀûÀÎ Áö½ÄÀ» È®¸³ÇÏ·Á°í ³ë·ÂÇÏ´Â µ¥ ³»ÀçµÈ µµÀü¿¡ ´ëÇÑ ±æ¸®½ºÇÇÀÇ ÀνÄÀ» ¹Ý¿µÇÑ´Ù. º»ÁúÀûÀ¸·Î, ±æ¸®½ºÇÇ´Â °´°ü¼ºÀº ³ë·ÂÇØ¾ß ÇÒ Áß¿äÇÑ ÀÌ»óÀÌÁö¸¸ Àΰ£ÀÇ Áö°¢¿¡ ³»ÀçµÈ ºÒ¿ÏÀü¼º ¶§¹®¿¡ ±Ã±ØÀûÀ¸·Î ´Þ¼ºÇϱ⠾î·Æ´Ù´Â °ÍÀ» Á¦½ÃÇÏ°í ÀÖ´Ù.

 

 

¡Ü ÀÛ°¡ ¼Ò°³

 

Âû½º ÄݽºÅÏ ±æ¸®½ºÇÇ(1918~2015)´Â ¹Ì±¹ÀÇ °úÇÐÇÐÀÚ·Î °úÇбâ¼ú»ç ¿¬±¸¿¡ Áö´ëÇÑ °øÇåÀ» Çß´Ù. 1918³â 6¿ù 6ÀÏ Ææ½Çº£À̴ϾÆÁÖ Çظ®½º¹ö±×¿¡¼­ ž ¿¹ÀÏ ´ëÇб³¿¡¼­ ¼öÇаú ¹°¸®ÇÐÀ» °øºÎÇß´Ù. ±×´Â ÈÄ¿¡ ÇϹöµå ´ëÇб³¿¡¼­ °úÇлç·Î ¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù.

±æ¸®½ºÇÇ´Â 1948³âºÎÅÍ 1957³â±îÁö ÇϹöµå ´ëÇб³¿¡¼­ °­ÀÇÇÏ´Ù°¡ ÇÁ¸°½ºÅÏ ´ëÇб³·Î ¿Å°Ü ±×°÷¿¡¼­ °æ·ÂÀÇ ³ª¸ÓÁö¸¦ º¸³Â´Ù. ±×´Â ¿ª»çÇÐ ±³¼ö¿´À¸¸ç ÇÁ¸°½ºÅÏ ´ëÇÐÀÇ °úÇлç ÇÁ·Î±×·¥ÀÇ Ã¢¸³ À̻翴´Ù.

±æ¸®½ºÇÇÀÇ ¿¬±¸´Â ƯÈ÷ 17¼¼±âÀÇ °úÇÐ Çõ¸í¿¡ ÁßÁ¡À» µÎ°í 18¼¼±âºÎÅÍ ÇöÀç±îÁöÀÇ °úÇаú ±â¼úÀÇ ¿ª»ç¿¡ ÃÊÁ¡À» ¸ÂÃè´Ù. ±×´Â ¿ªÇÐÀÇ ¿ª»ç, õ¹®ÇÐÀÇ ¿ª»ç, È­ÇÐÀÇ ¿ª»ç, ±×¸®°í ±â¼úÀÇ ¿ª»ç¿¡ ´ëÇØ ±¤¹üÀ§ÇÏ°Ô ½è´Ù.

±æ¸®½ºÇÇÀÇ °¡Àå ¿µÇâ·Â ÀÖ´Â ÀÛÇ°À¸·Î´Â "°´°ü¼ºÀÇ °¡ÀåÀÚ¸®: ¡¶°úÇлç»ó»ç¡·(1960), ¡¶¸ù°ñÇǾî ÇüÁ¦¿Í Ç×°øÀÇ ¹ß¸í¡·(1783-1784), ¡¶ÇÁ¶û½ºÀÇ °úÇаú Á¤Ä¡: ±¸ Á¤±ÇÀÇ Á¾¸»" (2004)ÀÌ ÀÖ´Ù.

±æ¸®½ºÇÇ´Â °úÇлç Çùȸ·ÎºÎÅÍ ¹ÞÀº Á¶Áö »çÆ° ¸Þ´Þ°ú °úÇл縦 À§ÇÑ ¹ßÀÜ »óÀ» Æ÷ÇÔÇÏ¿© ¸¹Àº »ó°ú ¸í¿¹¸¦ ¹Þ¾Ò´Ù. ±×´Â ¶ÇÇÑ ¹Ì±¹ ¿¹¼ú °úÇÐ ¾ÆÄ«µ¥¹Ì¿Í ¹Ì±¹ öÇÐ ÇùȸÀÇ È¸¿øÀ̱⵵ Çß´Ù.

±æ¸®½ºÇÇ´Â 2015³â 11¿ù 6ÀÏ ´ºÀúÁöÁÖ ÇÁ¸°½ºÅÏ¿¡¼­ 97¼¼ÀÇ ³ªÀÌ·Î ¼¼»óÀ» ¶°³µ´Ù. °úÇаú ±â¼úÀÇ ¿ª»ç¿¡ ´ëÇÑ ±×ÀÇ °øÇåÀº ±× ºÐ¾ßÀÇ ÇÐÀڵ鿡 ÀÇÇØ °è¼ÓÇؼ­ ¿µÇâ·ÂÀÌ ÀÖ°í ³Î¸® ÀοëµÇ°í ÀÖ´Ù.

 

"°´°ü¼ºÀÇ °¡ÀåÀÚ¸®´Â ÀνÄÀÇ ºÒ¿ÏÀüÇÔÀ¸·Î ÀÎÇØ Èå·ÁÁø´Ù."

 

ÀÌ Àο빮Àº Àΰ£ ÀνÄÀÇ ÇÑ°è¿Í °´°üÀû Áö½ÄÀ» È®¸³Çϱâ À§ÇØ ³ë·ÂÇÏ´Â µ¥ ³»ÀçµÈ µµÀü¿¡ ´ëÇÑ ±æ¸®½ºÇÇÀÇ ÀνÄÀ» ¹Ý¿µÇÑ´Ù. º»ÁúÀûÀ¸·Î ±æ¸®½ºÇÇ´Â °´°ü¼ºÀº ³ë·ÂÇØ¾ß ÇÒ Áß¿äÇÑ ÀÌ»óÀÌÁö¸¸ Àΰ£ÀÇ ÀνĿ¡ ³»ÀçµÈ °áÇÔ ¶§¹®¿¡ ±Ã±ØÀûÀ¸·Î ´Þ¼ºÇϱⰡ ¾î·Æ´Ù´Â °ÍÀ» ½Ã»çÇÏ°í ÀÖ´Ù.

 

 

¡Ü Introduction to Edge of Objectivity

 

Charles Coulston Gillispie's "Edge of Objectivity" is an essay in the history of scientific ideas, published in 1960. In this essay, Gillispie argues that objectivity, which is often considered an essential characteristic of scientific knowledge, is not a fixed or stable concept, but rather a historically and culturally contingent one. He contends that the notion of objectivity has evolved over time, and that its definition and application have been shaped by a range of factors, including social, cultural, and institutional contexts.

According to Gillispie, objectivity emerged as a critical concept in the history of science during the seventeenth century, in the context of the scientific revolution. He argues that the rise of experimental science during this period led to a shift in the way knowledge was produced and validated, with an increasing emphasis on empirical evidence and systematic observation. This emphasis on empirical data led to the development of new methods of measurement, experimentation, and calculation, which in turn gave rise to new forms of knowledge and expertise.

However, Gillispie also notes that the idea of objectivity was not without its limitations and contradictions. He suggests that the ideal of objectivity was often invoked as a way of legitimizing certain forms of knowledge and excluding others, and that it was often associated with a narrow, reductionist view of science that ignored the complex social and cultural contexts in which scientific research takes place.

In Gillispie's view, the notion of objectivity is an important and valuable concept, but one that needs to be understood and critically examined in its historical and cultural context. He argues that we need to be aware of the ways in which our ideas about objectivity are shaped by our social and cultural perspectives, and that we need to be open to the possibility that our understanding of objectivity may evolve and change over time.

 

 

¡Ü Famous quote

 

"The edge of objectivity is blurred by the imperfections of perception."

 

This quote reflects Gillispie's recognition of the limitations of human perception and the challenges inherent in trying to establish objective knowledge. In essence, Gillispie is suggesting that objectivity, while an important ideal to strive for, is ultimately difficult to achieve because of the inherent imperfections in human perception.

 

 

¡Ü Introduction to Charles Coulston Gillispien

 

Charles Coulston Gillispie (1918-2015) was an American historian of science who made significant contributions to the study of the history of science and technology. He was born on June 6, 1918, in Harrisburg, Pennsylvania, and received his undergraduate education at Yale University, where he studied mathematics and physics. He later obtained his PhD in the history of science from Harvard University.

Gillispie taught at Harvard University from 1948 to 1957 before moving to Princeton University, where he spent the rest of his career. He was a professor of history and the founding director of the Program in History of Science at Princeton.

Gillispie's research focused on the history of science and technology from the 18th century to the present, with a particular emphasis on the scientific revolution of the 17th century. He wrote extensively on the history of mechanics, the history of astronomy, the history of chemistry, and the history of technology.

Some of Gillispie's most influential works include "The Edge of Objectivity: An Essay in the History of Scientific Ideas" (1960), "The Montgolfier Brothers and the Invention of Aviation, 1783-1784" (1983), and "Science and Polity in France: The End of the Old Regime" (2004).

Throughout his career, Gillispie received numerous awards and honors, including the George Sarton Medal from the History of Science Society and the Balzan Prize for the History of Science. He was also a fellow of the American Academy of Arts and Sciences and the American Philosophical Society.

Gillispie passed away on November 6, 2015, in Princeton, New Jersey, at the age of 97. His contributions to the history of science and technology continue to be influential and widely cited by scholars in the field.

°´°ü¼ºÀÇ Ä®³¯
ÇÇŸ°í¶ó½ººÎÅÍ º£ÀÌÄÁ¿¡ À̸£±â±îÁö °úÇÐÀÌ Á¤½Ä Çй®À¸·Î ºÐ·ùµÇ±â±îÁöÀÇ °úÁ¤À» ±×¸° <°´°ü¼ºÀÇ Ä®³¯>¼ÓÀ¸·Î ¶°³ªº¸ÀÚ



°¶·¯¸® ±¸µ¶»óÇ° - °³¿ä




°¶·¯¸® Á¦¸ñ °´°ü¼ºÀÇ Ä®³¯    edge of objectivity   (ºÎÁ¦:¼­±¸ °úÇÐÀÇ Áß½ÉÀÌ µÈ »ç°ÇµéÀ» »ìÆ캸´Ù)
1³â ±¸µ¶°¡  50,000 ¿ø  ¡æ   40,000 ¿ø (20%¡é)
ÃÑ ÀÛÇ° ¼ö 34 °³
±¸µ¶ ±â°£ 1³â
À¥ È£½ºÆà (1³â ¹«·á)
¹ÝÀÀÇüÀ¥ (PC¡¤¸ð¹ÙÀÏ¡¤ÅÂºí¸´)
ÀÛÇ° ¼³¸í
¾ð¾î ¹ø¿ª (MS-¿§Áö ºê¶ó¿ìÀú¿¡¼­ ¿µ¹® ¹ø¿ª±â ½ÇÇà, ³×À̹ö¾Û-ÆÄÆÄ°í ¹ø¿ª±â ½ÇÇà)
樨毢
ÀÓº£µðµå
ÀÛÇ° ÁٰŸ® (ÀÛÇ°¼ö : 9 °³)
ÀÛÇ° Çؼ® (ÀÛÇ°¼ö : 8 °³)
ÀÛ°¡ ¼Ò°³ (ÀÛÇ°¼ö : 7 °³)
ÀÛÇ° ¸Àº¸±â (ÀÛÇ°¼ö : 5 °³)
»ý°¢Çغ¸±â (ÀÛÇ°¼ö : 5 °³)




°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
»ùÇÃ
Ä« ·¹ÃÊ´ÏÄÚ ¸íÈ­ ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
°¶·¯¸®¾Æ ¿¡½ºÅÙ½º ¸íÈ­ ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
¸¶µ·³ª µ¨¿À¸£Åä ±³È¸ ¸íÈ­ ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
ºÎ´ÙÆ佺Ʈ ¹Ì¼ú°ü
ºÎ´ÙÆ佺Ʈ ¹Ì¼ú°ü ¸íÈ­ ·£¼± Àü½Ãȸ
¿ö½ÌÅÏ ±¹¸³ ¹Ú¹°°ü
¿ö½ÌÅÏ ±¹¸³ ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
ºñ¿£³ª ¹Ì¼ú»ç ¹Ú¹°°ü
ºñ¿£³ª ¹Ì¼ú»ç ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
±¸µ¶ °áÁ¦
¾È³»

1. ³ªÀ̽ºÄÃó¿¡¼­´Â 1³â °¶·¯¸® ±¸µ¶ÀÚ¿¡°Ô ÃÖ´ëÀÇ °¡°Ý ÇýÅÃÀ» µå¸®±â À§ÇØ Á¤°¡º¸´Ù ÇÒÀÎµÈ °¡°ÝÀ» Á¦°øÇÏ°í ÀÖ½À´Ï´Ù.

2. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇÏ¿© ÇàÁ¤¼­·ù Áö¿ø ¹× ¼±ÁÖ¹® ÈÄ°áÁ¦¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

3. °áÁ¦¹æ¹ýÀ¸·Î [¹«ÅëÀåÀÔ±Ý]À» ÀÌ¿ëÇϽñ⠹ٶø´Ï´Ù.

Áõ¸í¼­·ù
¹ß±Þ ¾È³»

1. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇØ ´Ù¾çÇÑ ÇàÁ¤¼­·ù¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

2. Áõºù¼­·ù°¡ ÇÊ¿äÇÑ °æ¿ì ±¸µ¶½Åû½Ã ÇÊ¿äÇÑ ¼­·ù¸¦ ¼±ÅÃÇϽñ⠹ٶø´Ï´Ù.

- »ç¾÷ÀÚ : ¼¼±Ý°è»ê¼­ ¶Ç´Â Çö±Ý¿µ¼öÁõ(ÁöÃâÁõºù¿ë) [µÎ Á¾ ¸ðµÎ µ¿ÀÏÇÏ°Ô ¸ÅÀÔ°øÁ¦¸¦ ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.]
- °³ÀÎ: Çö±Ý¿µ¼öÁõ(¼Òµæ°øÁ¦¿ë)

3. »ç¾÷ÀÚµî·ÏÁõ, ÅëÀå»çº» µî ±âŸ ¼­·ù°¡ ÇÊ¿äÇÑ »ç¾÷ÀÚ´Â ·Î±×ÀÎ ÀÌÈÄ Àå¹Ù±¸´Ï ¡æ ÁÖ¹®Á¶È¸ ÆäÀÌÁöÀÇ »ó´Ü [ÇàÁ¤¼­·ù] ÅÇÀ» Ŭ¸¯ÇÏ¸é ¿øÇϽô ÇàÁ¤¼­·ù¸¦ ³»·Á¹Þ¾Æ »ç¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

±³È¯¡¤ÇØÁö
ȯºÒ ¾È³»

1. ±³È¯ : ÁÖ¹®ÇϽŠ°¶·¯¸®ÀÇ ÇÏÀڽà ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù.

2. ÁßµµÇØÁö ¹× Ãë¼Ò

- ±¸Ãà Àü : Àü¾× ȯºÒ
- ÀÔ±Ý ¿Ï·á ¹× °¶·¯¸® ¼¼Æà ÈÄ : ³³ºÎ±Ý¾× - ½ÇÁ¦ ¹ß»ý ºñ¿ë(ÄÜÅÙÃ÷ »ç¿ë·á + ¼¼Æúñ + È£½ºÆúñ) - À§¾à±Ý(¹ýÁ¤ 10%)

3. ȯºÒ

- ¿äûÇϽŠ³¯·ÎºÎÅÍ 4~7ÀÏ(¿µ¾÷ÀÏ ±âÁØ) Á¤µµ ¼Ò¿äµË´Ï´Ù.
- ȯºÒ ¿äû °èÁ·ΠȯºÒ 󸮰¡ µË´Ï´Ù.
- Áõºù(¼¼±Ý°è»ê¼­¡¤Çö±Ý¿µ¼öÁõ)ÀÌ ¹ß±ÞµÇ¾úÀ¸¸é ȯºÒ ±Ý¾×¸¸Å­ Á¦¿ÜÇÏ°í ¼öÁ¤ ¹ßÇàµË´Ï´Ù.

±¸µ¶ ¹®ÀÇ °í°´¼¾ÅÍ :     [ÀüÈ­] 02) 6412-0132~3     [email] art@niceculture.com