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ÀÌ ¼Ò¼³Àº û³ª¶ó ¶§ ºÎÀ¯ÇÏ°í À¯¸íÇÑ °¡¹®À̾ú´ø ÀÚ¾¾ °¡¹®ÀÇ ¸ô¶ô°ú ±×µéÀÇ ³× ³²ÀÚ ÀÚ¼ÕÀÌ µÎ ¸íÀÇ ¾Æ¸§´Ù¿î »çÃÌÀÎ ¸° ´ÙÀÌÀ§¿Í ½¬¿¡ ¹Ù¿ÀÂ÷ÀÌ¿Í ¿­¾ÖÇÏ´Â À̾߱⸦ ´ã°í ÀÖ´Ù. ÀÌ ¼Ò¼³Àº µîÀåÀι°µéÀÇ »ý»ýÇÑ ¹¦»ç, º¹ÀâÇÑ ÁٰŸ®, ½ÃÀû ¾ð¾î, ±×¸®°í Áß±¹ »çȸ, ¹®È­, öÇп¡ ´ëÇÑ ±íÀº ÅëÂû·ÂÀ¸·Î À¯¸íÇÏ´Ù.

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¡°È«·ç¸ù¡±´Â ¸¹Àº ¾ð¾î·Î ¹ø¿ªµÇ¾ú°í Áß±¹°ú Àü ¼¼°è¿¡¼­ ³Î¸® ÀÐÈ÷°í ¿¬±¸µÇ¾ú´Ù. ¶ÇÇÑ Ã»³ª¶ó ½Ã´ëÀÇ Áß±¹ ¹®È­¿Í »ýÈ° ¹æ½Ä¿¡ ´ëÇÑ Áß¿äÇÑ ¿ª»çÀû ¹®¼­·Î ¿©°ÜÁø´Ù.

 

 

¡Ü À¯¸íÇÑ Àο뱸

 

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¡Ü ÀÛ°¡ ¼Ò°³

 

Á¶¼³±Ù(ðáàäæÂ)Àº ´ëÇѹα¹ÀÇ ÀÛ°¡·Î, ´ëÇ¥ÀÛÀ¸·Î´Â 'È«·ç¸ù'ÀÌ ÀÖ´Ù. Á¶¼³±ÙÀº 1960³â ´ë±¸¿¡¼­ žÀ¸¸ç, ÀÌÈ­¿©ÀÚ´ëÇб³ Áß¾îÁß¹®Çаú¸¦ Á¹¾÷ÇÑ µÚ Áß±¹À¸·Î À¯ÇÐÇØ ¼Ò¼³°ú ¹ø¿ªÀ» °øºÎÇÏ¿´´Ù. ±×³à´Â ÀÌÈÄ Áß±¹ ¹®Çаú »ç»ó, ¿ª»ç¿¡ ´ëÇÑ ±íÀº °ü½ÉÀ» °®°Ô µÇ¾ú°í, À̸¦ ±â¹ÝÀ¸·Î 'È«·ç¸ù'À̶ó´Â ÀÛÇ°À» ÁýÇÊÇÏ°Ô µÈ´Ù.

'È«·ç¸ù'Àº Áß±¹ ¼Ò¼³ 'È«·ç¸ù'À» ¹ø¿ªÇϸ鼭 Á¶¼³±ÙÀÌ Á÷Á¢ Á¦ÀÛÇÑ ÀÛÇ°À¸·Î, ´ëÇѹα¹ ÃÖÃÊÀÇ ÀåÆí ¸¸È­ÀÌÀÚ Ã¹¹ø° ¿©¼º ¸¸È­°¡ ÀÛÇ°ÀÌ´Ù. ÀÛÇ°Àº Áß±¹ û³ª¶ó ½Ã´ëÀÇ ±ÃÁßÀ» ¹è°æÀ¸·Î, ±ÃÁßÀÇ ¿©ÀεéÀÌ °Þ´Â Àΰ£ÀûÀÎ ¹®Á¦¿Í °¥µî, ±×¸®°í »ç¶û°ú ¼ºÀåÀ» ±×¸° ÀÛÇ°À¸·Î, 1984³â ù¹ø° ¿¬À縦 ½ÃÀÛÇÏ¿©, ÀÌÈÄ 8³â¿¡ °ÉÃÄ ÃÑ 9±ÇÀÇ ¸¸È­Ã¥À¸·Î ¿Ï°áµÇ¾ú´Ù.

Á¶¼³±ÙÀº 'È«·ç¸ù'À» ÅëÇØ ¿©¼ºÀÇ ³»¸é¼¼°è¿Í °¨¼ºÀ» ´ã¾Æ³»¾î ½Ã´ëÀûÀÎ È­µÎ¸¦ ¸ðÀº ¹Ù ÀÖÀ¸¸ç, ±×³àÀÇ ÀÛÇ°Àº ´ç½Ã ´ëÇѹα¹ ¸¸È­°è¿¡ Å« Ãæ°ÝÀ» ÁØ ÀÛÇ° Áß Çϳª·Î Æò°¡µÇ°í ÀÖ´Ù. ÀÌÈÄ Á¶¼³±ÙÀº 'È«±Ýº¸'¿Í °°Àº ÀÛÇ°À» ¹ßÇ¥Çϸ鼭 Çѱ¹ ¸¸È­°è¿¡¼­ ¿©¼º ÀÛ°¡µéÀÇ ´ëÇ¥ÀûÀÎ Àι° Áß Çϳª·Î ÀÚ¸®¸Å±èÇÏ¿´´Ù.

 

 

¡Ü Introduction to Hóng Lóu Mèng

 

¡®ûõקÙÓ¡¯ (Hóng Lóu Mèng) or ¡®Dream of the Red Chamber¡¯ is a classic Chinese novel written by Cao Xueqin in the 18th century during the Qing dynasty. It is considered one of the greatest works of Chinese literature and has had a profound influence on Chinese culture and art.

The novel tells the story of the decline of the Jia family, a wealthy and prominent family during the Qing dynasty, and their four male offspring's romantic relationships with two beautiful cousins, Lin Daiyu and Xue Baochai. The novel is renowned for its vivid portrayal of characters, intricate plot, poetic language, and deep insights into Chinese society, culture, and philosophy.

The novel is divided into 120 chapters, and each chapter has a poetic title that reflects the theme and content of the chapter. The novel is also noted for its exquisite use of literary devices such as allegory, symbolism, and foreshadowing, which adds to its artistic value.

¡®ûõקÙÓ¡¯ has been translated into many languages and has been widely read and studied both in China and around the world. It is also considered an important historical document of the Chinese culture and way of life during the Qing dynasty.

 

 

¡Ü Famous quote

 

"What you can't get is always agitated, and all things that are favored are not overly afraid."

This passage is one of the representative quotes that represent one of the main themes of the work, which contains reality and dreams, conflict between ideals and reality, and incomplete and unstable life.

 

 

¡Ü Introduction to Cho Seol-geun

 

Cho Seol-geun is a South Korean writer, and

his representative work is "Hong Lumong." Born in Daegu in 1960, Cho Seol-geun graduated from Ewha Womans University with a degree in Chinese and Chinese literature and studied novels and translations in China. She later became deeply interested in Chinese literature, ideas, and history, and based on this, she wrote a work called "Hong Lumong."

"Hong Lumong" is a work produced by Cho Seol-geun while translating the Chinese novel "Hong Lumong," and is the first full-length cartoon and the first female cartoonist in Korea. Set in the court of the Qing Dynasty in China, the work depicts the human problems, conflicts, love and growth experienced by women in the court. It began its first series in 1984 and completed a total of nine comic books over the next eight years.

Cho Seol-geun gathered the topics of the times by capturing the inner world and emotions of women through "Hong Lumong," and her work is considered one of the works that had a great impact on the Korean cartoon world at the time. Since then, Cho Seol-geun has established himself as one of the representative figures of female writers in the Korean cartoon world by releasing works such as "Hong Geum-bo."

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