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¿Õ¸ÛÀÇ ÀÛÇ° 'º¯½ÅÀÎÇü'Àº Áß±¹ Çö´ë¹®ÇÐÀÇ ´ëÇ¥ÀûÀÎ ¼Ò¼³ Áß ÇϳªÀÌ´Ù. ÀÌ ÀÛÇ°Àº 1980³â´ë Áß±¹ ¼Ò¼³ÀÇ Çõ½ÅÀûÀÎ ÀÛÇ° Áß Çϳª·Î Æò°¡µÇ¸ç, Áß±¹ Çö´ë¹®Çл翡 Å« ¿µÇâÀ» ³¢ÃÆ´Ù.ÀÌ ¼Ò¼³ÀÇ Æ¯Â¡Àº ¿©·¯ °¡Áö°¡ ÀÖ´Ù. ù°, ÀÌ ÀÛÇ°Àº Çö´ë Áß±¹»çȸÀÇ ¹®Á¦¿Í °³ÀÎÀÇ ¿å±¸¿Í °¥µîÀ» ´Ù·ç°í ÀÖ´Ù. ÀÛÇ°ÀÇ Àι°µéÀº Á÷Àå, °¡Á·, °³ÀÎÀû ¿å±¸ µî ´Ù¾çÇÑ ¹®Á¦·Î ÀÎÇØ ¾î·Á¿òÀ» °ÞÀ¸¸ç, À̸¦ ÇØ°áÇϱâ À§ÇØ ÀÚ½ÅÀÇ Àΰݰú °¡Ä¡¸¦ ã¾Æ°¡´Â °úÁ¤À» ±×¸°´Ù.

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ÀÌ ÀÛÇ°Àº Áß±¹ Çö´ë¹®Çл翡¼­ ¸Å¿ì Áß¿äÇÑ À§Ä¡¸¦ Â÷ÁöÇϸç, Çö´ë Áß±¹»çȸÀÇ ¹®Á¦¸¦ Çö½ÇÀûÀ¸·Î ±×¸®°í ½É¸®ÀûÀ¸·Î ´Ù·ç¸é¼­µµ ¹®Ã¼ÀûÀ¸·Î Çõ½ÅÀûÀÎ ½Ãµµ¸¦ ÇÑ °ÍÀ¸·Î Æò°¡µÈ´Ù.¶ÇÇÑ, ÀÛÇ°Àº °³ÀÎÀÇ »î°ú »çȸÀÇ º¯È­, ±×¸®°í ±×°Íµé »çÀÌÀÇ °¥µîÀ» ´Ù·ç¸é¼­ Àΰ£ÀÇ »î°ú °¡Ä¡¿¡ ´ëÇØ ´Ù½Ã Çѹø »ý°¢ÇÏ°Ô ÇØÁÖ´Â Àǹ̰¡ ÀÖ´Ù.

 

 

¡Ü À¯¸íÇÑ Àο뱸

 

"º¯½ÅÇÏÀÚ!"

ÀÌ Àο뱸´Â ¿Õ¸ÛÀÌ 'º¯½ÅÀÎÇü'À¸·Î º¯½ÅÇÒ ¶§ ÀÚÁÖ »ç¿ëÇÏ´Â ´ë»ç Áß Çϳª·Î ¿Õ¸ÛÀÌ º¯½ÅÇÏ¿© Àû°ú ½Î¿ì±â Àü¿¡ ÀÌ ´ë»ç¸¦ ¿ÜÄ¡¸é¼­ º¯½ÅÀ» ½ÃÀÛÇÑ´Ù. ÀÌ ´ë»ç´Â 'º¯½ÅÀÎÇü'À» º» ½ÃûÀÚµé�¡°� ±íÀº ÀλóÀ» ³²±â¸ç, ÇØ´ç ÀÛÇ°ÀÇ ´ëÇ¥ÀûÀÎ ´ë»ç Áß Çϳª·Î ²ÅÈù´Ù.

 

 

¡Ü ÀÛ°¡ ¼Ò°³

 

¿Õ¸Û¿¡ ´ëÇØ ¾Ë·ÁÁø Á¤º¸´Â ¸¹ÀÌ ¾ø´Ù. 1964³â Áß±¹ ¼±Àü¹®¿¹»ç¿¡¼­ µ¥ºßÇÏ¿© Çö´ë Áß±¹ÀÇ ¼Ò¼³°ú ´ÜÆí¼Ò¼³, ¿¡¼¼ÀÌ µîÀ» ½èÀ¸¸ç, ¸¹Àº ¹®ÇлóÀ» ¼ö»óÇÑ Àú¸íÇÑ ÀÛ°¡ Áß ÇÑ ¸íÀÌ´Ù.

ÀÛÇ°Àº ÁÖ·Î Áß±¹ Çö½ÇÁÖÀÇ ¹®ÇÐÀÇ ÀÏȯÀ¸·Î, »çȸÀû ¹®Á¦¿Í ¿ª»çÀû À̺¥Æ®¸¦ ´Ù·ç¸ç, »îÀÇ ÀÇ¹Ì¿Í °³ÀÎÀû °¨Á¤À» ¹¦»çÇÑ´Ù. ƯÈ÷, ¿©¼ºÀÇ ÀÔÀå¿¡¼­ ¾²ÀÎ ¼Ò¼³ÀÌ ¸¹¾Æ ¿©¼º ÀÛ°¡µé Áß¿¡¼­µµ µ¶º¸ÀûÀÎ À§Ä¡¸¦ Â÷ÁöÇÏ°í ÀÖ´Ù.

´ëÇ¥ÀÛÀ¸·Î´Â ¡®Ãµº¯Ç³°æ¡¯ÀÌ ÀÖÀ¸¸ç ÀÌ Ã¥Àº 1985³â¿¡ Ãâ°£µÇ¾î Å« Àα⸦ ²ø¸é¼­ Áß±¹ Çö´ë¹®ÇÐÀÇ °ÉÀÛÀ¸·Î Æò°¡µÇ¾î ¿Ô´ô.

 

 

¡Ü Introduction to transformed doll

 

Wang Meng's work  is one of the leading novels of modern Chinese literature. This work is regarded as one of the innovative works of Chinese novels in the 1980s, and it greatly influenced the history of modern Chinese literature.

There are many characteristics of this novel First, this work deals with the problems of modern Chinese society and individual needs and conflicts. The characters in the work suffer from various problems such as work, family, and personal needs, and they draw the process of finding their personality and values to solve them.

Second, the work is a harmonious mixture of realistic narratives and ambiguous symbolic elements.In this work, the artist tried to fuse reality and imagination to reveal the contradictory parts that exist inside the real group and characters.

Third, the work is also stylistically innovative. The author writes very simple and concise sentences, but also has the characteristic of fusing imagination and reason. This style of sentence is evaluated as representative of the trend of modern Chinese novels.

This work occupies a very important position in the history of modern Chinese literature, and it is evaluated that it has made an innovative attempt in style while dealing with the problems of modern Chinese society realistically and psychologically.Also, the work is meaningful in that it makes us think about human life and values once again while dealing with changes in individual life and society, and conflicts between them.

 

 

¡Ü Famous quote

 

"Let's transform!"

This quote is one of the frequently used lines when Wang Meng transforms into a 'transformation doll.' Wang Meng transforms and starts his transformation by shouting this line before fighting the enemy. This line impresses the viewers who watched the "Transformation Doll" and is considered one of the representative lines of the work.

 

 

¡Ü Introduction to Wang Meng

 

There is not much information known about Wang Meng. He made his debut in 1964 at the Shenzhen Literary Society of China, wrote modern Chinese novels, short stories, and essays, and is one of the prominent writers who won many literary awards.

The work is mainly part of Chinese realist literature, dealing with social problems and historical events, and describing the meaning of life and personal feelings. In particular, there are many novels written from the perspective of women, so they occupy an unrivaled position among female writers.

The representative work is "The Scenery of Heaven", which was published in 1985 and has been regarded as a masterpiece of modern Chinese literature.

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