¿Â¶óÀÎ
¡¤¹®ÇÐ


ÀáÀ» ÀÚ°í ÀϾ´Ï ¹ú·¹°¡ µÇ¾ú´Ù
º¯½Å
Transformation
ºÐ¾ß : ¹®ÇÐ,
±³°ú : ±¹¾î,
ÀÚ·á¼ö : 52 °³
±¸µ¶°¡ [1³â]
 50,000 ¿ø¡æ 40,000 ¿ø (20%¡é)

¡Ü º¯½Å - ÀÛÇ° ¼Ò°³

 

ÇÁ¶õÃ÷ Ä«ÇÁÄ«ÀÇ ¡°º¯½Å¡±Àº 1915³â¿¡ Ãâ°£µÈ ¼Ò¼³ÀÌ´Ù. ÀÌ À̾߱â´Â ¿©ÇàÇÏ´Â ¼¼ÀÏÁî¸ÇÀÎ ±×·¹°í¸£ »ï»ç¿¡ ´ëÇÑ À̾߱âÀÌ´Ù. ¾î´À ³¯ ¾Æħ, ±×´Â ÀÚ½ÅÀÌ Ä¿´Ù¶õ °ïÃæ °°Àº »ý¹°·Î º¯Çß´Ù´Â °ÍÀ» ¹ß°ßÇÏ°í ÀϾ´Ù.

¡°º¯½Å¡±ÀÇ ÁÖ¿ä Ư¡ Áß Çϳª´Â ÃÊÇö½ÇÁÖÀÇ¿Í ºÎÁ¶¸®¸¦ ÀÌ¿ëÇÏ¿© ¼Ò¿Ü, Á¤Ã¼¼º, Àΰ£ »óŸ¦ Ž±¸ÇÑ´Ù´Â °ÍÀÌ´Ù. À̾߱â´Â °Ñº¸±â¿¡´Â Æò¹üÇÏ°í ÀÏ»óÀûÀÎ ¼¼°è¸¦ ¹è°æÀ¸·Î ÇÏÁö¸¸, ÁÖÀΰøÀÇ °©ÀÛ½º·´°í ¼³¸íÇÒ ¼ö ¾ø´Â º¯È­´Â µîÀåÀι°°ú µ¶ÀÚ ¸ðµÎ¿¡°Ô ºÒ¾È°¨°ú ¹æÇâ°¨°¢À» ¸¸µé¾î³½´Ù.

ÀÌ ¼Ò¼³ÀÇ ¶Ç ´Ù¸¥ ÁÖ¸ñÇÒ ¸¸ÇÑ Ãø¸éÀº Ä«ÇÁÄ«°¡ »ó¡°ú ÀºÀ¯¸¦ »ç¿ëÇÑ °ÍÀÌ´Ù. ±×·¹°í¸£ÀÇ º¯ÇõÀº °áÄÚ ¼³¸íµÇ°Å³ª ÇÕ¸®È­µÇÁö ¾ÊÁö¸¸, »çȸ¿Í °¡Á·ÀÌ °³ÀÎÀ» ºñÀΰ£È­ÇÏ°í ÂøÃëÇÒ ¼ö ÀÖ´Â ¹æ½Ä¿¡ ´ëÇÑ ÀºÀ¯·Î Çؼ®ÀÌ Áö¹èÀûÀÌ´Ù. ÀÌ À̾߱â´Â ±×·¹°í¸£ÀÇ º¯½ÅÀÌ ±×¸¦ ¸»À» ¸øÇÏ°Ô ÇÏ°í ±×¿Í ±×ÀÇ °¡Á· »çÀÌ¿¡ ºÒÈ­¸¦ ÀÏÀ¸Å°¸é¼­ ÀÇ»ç¼ÒÅë ¶Ç´Â ÀÇ»ç¼ÒÅëÀÇ ºÎÁ·À̶ó´Â ÁÖÁ¦¸¦ Ž±¸ÇÑ´Ù.

Àü¹ÝÀûÀ¸·Î, ¡°º¯½Å¡±Àº ÀØÇôÁöÁö ¾Ê´Â À̹ÌÁö, º¹ÀâÇÑ Ã¶ÇÐÀû ÁÖÁ¦ÀÇ Å½±¸, ¹®ÇÐÀû ¸ð´õ´ÏÁò¿¡ ´ëÇÑ ¿µÇâÀ¸·Î ³Î¸® Âù»ç¸¦ ¹Þ¾Ò´Ù. ±×°ÍÀº ÀÚº»ÁÖÀÇ¿Í ºÎ¸£ÁÖ¾Æ °¡Á·¿¡ ´ëÇÑ ºñÆÇ¿¡¼­ºÎÅÍ Ä«ÇÁÄ« ÀÚ½ÅÀÇ °í¸³°ú ¼Ò¿Ü°¨¿¡ ´ëÇÑ ¼ºÂû¿¡ À̸£±â±îÁö ´Ù¾çÇÑ ¹æ½ÄÀ¸·Î Çؼ®µÇ¾ú´Ù. Ä«ÇÁÄ«ÀÇ Áö¼ÓÀûÀÎ Àαâ¿Í °ü·Ã¼ºÀº Ä«ÇÁÄ«°¡ 20¼¼±âÀÇ °¡Àå Áß¿äÇÑ ÀÛ°¡µé Áß ÇÑ ¸íÀ¸·Î ÀÚ¸®¸¦ ±»Çû´Ù.

 

 

¡Ü À¯¸íÇÑ Àο뱸

 

"¾î´À ³¯ ¾Æħ ±×·¹°í¸£ »ï»ç°¡ ºÒ¾ÈÇÑ ²Þ¿¡¼­ ±ú¾î³µÀ» ¶§ ±×´Â ħ´ë¿¡¼­ °Å´ëÇÑ °ïÃæÀ¸·Î º¯½ÅÇÑ ÀÚ½ÅÀ» ¹ß°ßÇß´Ù."

 

ÀÌ Ã¹ ¹®ÀåÀº ÁÖÀΰø ±×·¹°í¸£ »ï»ç°¡ °©Àڱ⠼³¸íÇÒ ¼ö ¾ø´Â ¹ú·¹·ÎÀÇ º¯½ÅÀ» ¹Þ¾ÆµéÀ̱â À§ÇØ °í±ººÐÅõÇÏ´Â À̾߱âÀÇ ÃÊÇö½ÇÀûÀÌ°í ºÒ¾ÈÇÑ »ç°ÇµéÀÇ ¹«´ë¸¦ ¸¶·ÃÇÑ´Ù. ÀÌ Àο빮Àº Ä«ÇÁÄ«ÀÇ ÀÛÇ° ´ëºÎºÐ¿¡ ¸¸¿¬ÇÑ ¹æÇâ°¨°¢°ú ºÒÈ®½Ç¼ºÀ» Æ÷ÂøÇÑ´Ù.

 

 

¡Ü ÀÛ°¡ ¼Ò°³

 

ÇÁ¶õÃ÷ Ä«ÇÁÄ« (1883³â-1924³â)´Â Çö´ë ¹®Çаú ¹®È­¿¡ Áö´ëÇÑ ¿µÇâÀ» ³¢Ä£ µ¶ÀϾî ÀÛ°¡ÀÌ´Ù. ÇÁ¶óÇÏÀÇ À¯´ëÀÎ °¡Á¤¿¡¼­ ž Ä«ÇÁÄ«´Â ±×ÀÇ ¹®ÇÐ °æ·ÂÀ» Ãß±¸ÇÏ´Â µ¿¾È º¯È£»ç¿Í º¸Çè °ü¸®ÀÚ·Î ÀÏÇß´Ù.

Ä«ÇÁÄ«ÀÇ ±ÛÀº ¼Ò¿Ü, °ü·áÁÖÀÇ, ½ÇÁ¸Àû ºÒ¾È°ú °°Àº ÁÖÁ¦¿¡ ´ëÇÑ Å½±¸»Ó¸¸ ¾Æ´Ï¶ó ÃÊÇö½ÇÀûÀÌ°í ºÎÁ¶¸®ÀûÀÎ ¿ä¼Ò·Î À¯¸íÇÏ´Ù. ±×ÀÇ ¸¹Àº À̾߱âµéÀº ¹ýü°èµç, °¡Á·¿ªÇÐÀ̵ç, »çȸÀû °ü½ÀÀ̵ç, ÃÊÇö½ÇÀûÀÌ°í ¾ï¾ÐÀûÀÎ ½Ã½ºÅÛÀ» Ž»öÇϱâ À§ÇØ °í±ººÐÅõÇÏ´Â ÁÖÀΰøµéÀ» Ư¡À¸·Î ÇÑ´Ù.

Ä«ÇÁÄ«ÀÇ °¡Àå À¯¸íÇÑ ÀÛÇ°Àº ¾î´À ³¯ ¾Æħ ÇÑ ³²ÀÚ°¡ °Å´ëÇÑ °ïÃæÀ¸·Î º¯½ÅÇÑ ÀÚ½ÅÀ» ¹ß°ßÇÏ´Â "º¯Çü", °áÄÚ µå·¯³ªÁö ¾Ê´Â ¹üÁË·Î ÇÑ ³²ÀÚ°¡ üÆ÷µÇ¾î ÀçÆÇÀ» ¹Þ´Â "ÀçÆÇ", ±×¸®°í ¸Ö°í ½Åºñ·Î¿î ¼º¿¡ Á¢±ÙÇÏ·Á´Â ½Ãµµ¿¡¼­ ÇѾøÀÌ ÁÂÀýÇÏ´Â "¼º" µîÀÌ´Ù.

Ä«ÇÁÄ«ÀÇ ÀÛÇ°µéÀº ±×ÀÇ »ýÀü¿¡´Â ³Î¸® ÀÎÁ¤¹ÞÁö ¸øÇßÁö¸¸, ±×ÀÇ »çÈÄ¿¡´Â Á¡Á¡ ´õ ¿µÇâ·ÂÀ» Çà»çÇÏ°Ô µÇ¾ú´Ù. ¿À´Ã³¯, Ä«ÇÁÄ«´Â Çö´ë ¹®Çп¡¼­ °¡Àå Áß¿äÇÑ Àι°µé Áß Çϳª·Î ¿©°ÜÁö¸ç, ±×ÀÇ ¾ÆÀ̵ð¾î¿Í ÁÖÁ¦´Â Àü ¼¼°èÀÇ ¿¹¼ú°¡µé°ú »ç»ó°¡µé¿¡°Ô °è¼Ó ¿µ°¨À» ÁÖ°í ÀÖ´Ù.

 

 

¡Ü Introduction to Franz Kafka

 

Franz Kafka's "The Metamorphosis" (also known as "Transformation" or "Die Verwandlung" in German) is a novella published in 1915. The story tells the tale of Gregor Samsa, a traveling salesman who wakes up one morning to find that he has transformed into a large insect-like creature.

One of the key characteristics of "The Metamorphosis" is its use of surrealism and absurdity to explore themes of alienation, identity, and the human condition. The story is set in a seemingly normal, everyday world, but the sudden and inexplicable transformation of the protagonist creates a sense of unease and disorientation for both the characters and the reader.

Another notable aspect of the novella is Kafka's use of symbolism and metaphor. Gregor's transformation is never explained or rationalized, but it is widely interpreted as a metaphor for the way in which society and family can dehumanize and exploit individuals. The story also explores the theme of communication, or lack thereof, as Gregor's transformation renders him unable to speak and creates a rift between him and his family.

Overall, "The Metamorphosis" has been widely praised for its haunting imagery, its exploration of complex philosophical themes, and its influence on literary modernism. It has been interpreted in numerous ways, from a critique of capitalism and the bourgeois family to a reflection on Kafka's own feelings of isolation and alienation. Its enduring popularity and relevance have cemented Kafka's place as one of the most important writers of the 20th century.

 

 

¡Ü Famous quote

 

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect."

 

This opening sentence sets the stage for the surreal and unsettling events of the story, in which the protagonist, Gregor Samsa, struggles to come to terms with his sudden and inexplicable transformation into a bug. The quote captures the sense of disorientation and uncertainty that pervades much of Kafka's work, as well.

 

 

¡Ü Introduction to Franz Kafka

 

Franz Kafka (1883-1924) was a German-language writer whose works have had a profound influence on modern literature and culture. Born into a Jewish family in Prague, Kafka worked as a lawyer and insurance officer while pursuing his literary career.

Kafka's writing is known for its surreal and absurdist elements, as well as its exploration of themes such as alienation, bureaucracy, and existential anxiety. Many of his stories feature protagonists who struggle to navigate surreal and oppressive systems, whether they be the legal system, family dynamics, or social conventions.

Kafka's most famous works include "The Metamorphosis," in which a man wakes up one morning to find himself transformed into a giant insect; "The Trial," in which a man is arrested and tried for a crime that is never revealed; and "The Castle," in which a man is endlessly frustrated in his attempts to gain access to a remote and mysterious castle.

Kafka's works were not widely recognized during his lifetime, but after his death they became increasingly influential and celebrated. Today, Kafka is considered one of the most important figures in modern literature, and his ideas and themes continue to inspire artists and thinkers around the world.

º¯½Å
¾Æ¹öÁö¿¡°Ô ¹ÞÀº ¸ð¿å°¨°ú Çд밡 ºú¾î³½ °ÉÀÛ, ÇÁ¶õÃ÷ Ä«ÇÁÄ«ÀÇ <º¯½Å>¼ÓÀ¸·Î ¶°³ªº¸ÀÚ



°¶·¯¸® ±¸µ¶»óÇ° - °³¿ä




°¶·¯¸® Á¦¸ñ º¯½Å    Transformation   (ºÎÁ¦:ÀáÀ» ÀÚ°í ÀϾ´Ï ¹ú·¹°¡ µÇ¾ú´Ù)
1³â ±¸µ¶°¡  50,000 ¿ø  ¡æ   40,000 ¿ø (20%¡é)
ÃÑ ÀÛÇ° ¼ö 52 °³
±¸µ¶ ±â°£ 1³â
À¥ È£½ºÆà (1³â ¹«·á)
¹ÝÀÀÇüÀ¥ (PC¡¤¸ð¹ÙÀÏ¡¤ÅÂºí¸´)
ÀÛÇ° ¼³¸í
¾ð¾î ¹ø¿ª (MS-¿§Áö ºê¶ó¿ìÀú¿¡¼­ ¿µ¹® ¹ø¿ª±â ½ÇÇà, ³×À̹ö¾Û-ÆÄÆÄ°í ¹ø¿ª±â ½ÇÇà)
樨毢
ÀÓº£µðµå
ÀÛÇ° ÁٰŸ® (ÀÛÇ°¼ö : 10 °³)
ÀÛÇ° Çؼ® (ÀÛÇ°¼ö : 10 °³)
ÀÛ°¡ ¼Ò°³ (ÀÛÇ°¼ö : 10 °³)
ÀÛÇ° ¸Àº¸±â (ÀÛÇ°¼ö : 9 °³)
»ý°¢Çغ¸±â (ÀÛÇ°¼ö : 5 °³)
ÀÛ°¡ÀÇ ´Ù¸¥ ÀÛÇ° (ÀÛÇ°¼ö : 8 °³)




°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
»ùÇÃ
»êŸ ¸¶¸®¾Æ µ¨ ·Î»ç¸®¿À ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
ºô¶ó µ¨ Æ÷Áö¿À ÀÓÆ丮¾Ë·¹ ÀÛÇ° ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
»ùÇÃ
»êŸ Ä«»ç ´ë¼º´ç ¸íÈ­ ·£¼± Àü½Ãȸ
°ü¶÷Çϱâ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
·çºê¸£ ¹Ú¹°°ü
[ÄÞÆÑÆ®] ·çºê¸£ ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
·çºê¸£ ¹Ú¹°°ü
·çºê¸£ ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
¿¹¸£¹ÌŸ½Ã ¹Ú¹°°ü
¿¹¸£¹ÌŸ½Ã ¹Ú¹°°ü ¸íÈ­ ·£¼± Àü½Ãȸ
°¶·¯¸® ¼Ò°³ Å׸¶°ü ±¸¼º Âü°í ÀÚ·á »ùÇà °¶·¯¸® °ü·ÃºÐ¾ß °¶·¯¸® ÁÖ¹®½Ã À¯ÀÇ»çÇ×
±¸µ¶ °áÁ¦
¾È³»

1. ³ªÀ̽ºÄÃó¿¡¼­´Â 1³â °¶·¯¸® ±¸µ¶ÀÚ¿¡°Ô ÃÖ´ëÀÇ °¡°Ý ÇýÅÃÀ» µå¸®±â À§ÇØ Á¤°¡º¸´Ù ÇÒÀÎµÈ °¡°ÝÀ» Á¦°øÇÏ°í ÀÖ½À´Ï´Ù.

2. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇÏ¿© ÇàÁ¤¼­·ù Áö¿ø ¹× ¼±ÁÖ¹® ÈÄ°áÁ¦¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

3. °áÁ¦¹æ¹ýÀ¸·Î [¹«ÅëÀåÀÔ±Ý]À» ÀÌ¿ëÇϽñ⠹ٶø´Ï´Ù.

Áõ¸í¼­·ù
¹ß±Þ ¾È³»

1. Çб³, µµ¼­°ü, °ü°ø¼­, ±â¾÷ µî¿¡¼­ °¶·¯¸® ±¸µ¶ÇÏ´Â °æ¿ì ±â¾ÈÇ°ÀÇ ¹× ÇàÁ¤Ã³¸®ÀÇ ÆíÀǸ¦ À§ÇØ ´Ù¾çÇÑ ÇàÁ¤¼­·ù¸¦ Áö¿øÇÏ°í ÀÖ½À´Ï´Ù.

2. Áõºù¼­·ù°¡ ÇÊ¿äÇÑ °æ¿ì ±¸µ¶½Åû½Ã ÇÊ¿äÇÑ ¼­·ù¸¦ ¼±ÅÃÇϽñ⠹ٶø´Ï´Ù.

- »ç¾÷ÀÚ : ¼¼±Ý°è»ê¼­ ¶Ç´Â Çö±Ý¿µ¼öÁõ(ÁöÃâÁõºù¿ë) [µÎ Á¾ ¸ðµÎ µ¿ÀÏÇÏ°Ô ¸ÅÀÔ°øÁ¦¸¦ ¹ÞÀ» ¼ö ÀÖ½À´Ï´Ù.]
- °³ÀÎ: Çö±Ý¿µ¼öÁõ(¼Òµæ°øÁ¦¿ë)

3. »ç¾÷ÀÚµî·ÏÁõ, ÅëÀå»çº» µî ±âŸ ¼­·ù°¡ ÇÊ¿äÇÑ »ç¾÷ÀÚ´Â ·Î±×ÀÎ ÀÌÈÄ Àå¹Ù±¸´Ï ¡æ ÁÖ¹®Á¶È¸ ÆäÀÌÁöÀÇ »ó´Ü [ÇàÁ¤¼­·ù] ÅÇÀ» Ŭ¸¯ÇÏ¸é ¿øÇϽô ÇàÁ¤¼­·ù¸¦ ³»·Á¹Þ¾Æ »ç¿ëÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

±³È¯¡¤ÇØÁö
ȯºÒ ¾È³»

1. ±³È¯ : ÁÖ¹®ÇϽŠ°¶·¯¸®ÀÇ ÇÏÀڽà ±³È¯ÀÌ °¡´ÉÇÕ´Ï´Ù.

2. ÁßµµÇØÁö ¹× Ãë¼Ò

- ±¸Ãà Àü : Àü¾× ȯºÒ
- ÀÔ±Ý ¿Ï·á ¹× °¶·¯¸® ¼¼Æà ÈÄ : ³³ºÎ±Ý¾× - ½ÇÁ¦ ¹ß»ý ºñ¿ë(ÄÜÅÙÃ÷ »ç¿ë·á + ¼¼Æúñ + È£½ºÆúñ) - À§¾à±Ý(¹ýÁ¤ 10%)

3. ȯºÒ

- ¿äûÇϽŠ³¯·ÎºÎÅÍ 4~7ÀÏ(¿µ¾÷ÀÏ ±âÁØ) Á¤µµ ¼Ò¿äµË´Ï´Ù.
- ȯºÒ ¿äû °èÁ·ΠȯºÒ 󸮰¡ µË´Ï´Ù.
- Áõºù(¼¼±Ý°è»ê¼­¡¤Çö±Ý¿µ¼öÁõ)ÀÌ ¹ß±ÞµÇ¾úÀ¸¸é ȯºÒ ±Ý¾×¸¸Å­ Á¦¿ÜÇÏ°í ¼öÁ¤ ¹ßÇàµË´Ï´Ù.

±¸µ¶ ¹®ÀÇ °í°´¼¾ÅÍ :     [ÀüÈ­] 02) 6412-0132~3     [email] art@niceculture.com